While Kitano- the-performer fights with his seemingly endless array of enemies, Kitano the filmmaker makes sure that everything is beautiful, from the wonderful colors and passing tableaux to the intricate fighting choreography.. Roos does an admirable job balancing the tragedy and comedy.. . . In the latter part of the film, [Kitano] exhibits an urge to liberate Zatoichi and himself from the action-movie template completely.. Witty, gruesome, and artful fun.. [It] feels like Paul Thomas Anderso...
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