After a messy, cliched first half, Janie Jones is barely salvaged by the lightweight sweetness that emerges once it becomes a two-hander for Breslin and Nivola.. A mixture of discordant notes and way-too-familiar chords.. Nivola and Breslin sing and perform the original numbers, welcome interludes that provide respite from Rosenthal's lousy script.. Despite the pic's assets and overall restraint, a whiff of cliched deja vu remains.. Rosenthal fills this dewy road-trip movie with too many cliches...
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